A little while ago (2011) a brand new game studio, called Supergiant Games, showed up at PAX with a cute little action game. Gameplay-wise, it was nothing to shake up the action game scene, even by indie game standards What made this game truly unique, though, was it’s art-house style and peculiar narrative design.
In Bastion, the landscape itself formed up around the protagonist as he made his way through the game, fighting off enemies as they popped out of the ground. Much like the land itself, the narration of “The Kid” and his story happened only as you played. None of the story was told through cutscenes and the narrator only ever responded to the player’s actions. These two components of Bastion gave players the feeling of more involvement in the story. Rather than playing the game to reveal the story, the story was about what they were doing.
Of course Bastion was still a very linear game, but its claims to fame – gradual terrain and responsive narration (not to mention the absolutely unbelievable soundtrack by Darren Korb) – are no less well-earned.
But just last week, Supergiant Games released their second title: Transistor.
Transistor is more than just a worthy successor Bastion.
The gameplay feels like a natural progression from where Bastion began. Both games would comfortably be described as “action” games, but Transistor incorporates strategic “tactics”-like elements (other “tactics” games include Final Fantasy Tactics, Advance Wars, Fire Emblem, X-COM, and The Banner Saga) that make Transistor feel a bit more grown-up. Less technically speakig, of course, Transistor is just plain fun! As the titular weapon downloads more “Functions” (the game’s name for your attacks), experimenting with different combinations becomes almost as entertaining as the plentiful battles that adorn your journey.
Transistor is a beautiful story about a woman whose voice (literally) was taken from her. It’s about her lover. It’s about a city that they both love deeply, but isn’t what it used to be. It’s about change, and remembering the way things were without ever being able to go back. It’s even more than that, I don’t want to spoil any of the story, because it’s worth your investment. Suffice it to say that it rivals or even surpasses its AAA, giant game company, contemporaries while coming from a still-very-small studio.
The story is probably best described as a sci-fi noir romance. It has classic elements of all three genres, but it adapts them into something wholly new and claims it for its own. Where both Bastion and Transistor are set against the backdrop of collapsing “civilizations,” Transistor‘s approach is able to carry the romantic sub-genre in a way that Bastion wouldn’t have been able to, and as a result the protagonist is far more sympathetic, even while silent.
The game also carries on the grand tradition of having an unparalleled soundtrack, something I find to be an asset to any game, but it makes ones like Bastion and Transistor really stand out from the crowd. Darren Korb’s work is the music that the games industry deserves.
All-in-all, Transistor is just worth your time and money, don’t be kicking yourself when it starts getting tossed around as a possible game of the year – play it now!